Educated at Chetham’s School of Music and Trinity College London, Pamela won the Raymond Russell Inter-Collegiate Harpsichord Prize and gained a French Government scholarship to study at the Schola Cantorum, Paris. She was awarded the Harkness Fellowship which took her to the University of Michigan for a Master’s degree in Early Keyboard Instruments, studying with Edward Parmentier and Penelope Crawford. Her other mentors include Heather Slade-Lipkin, Valda Aveling, Huguette Dreyfus and Josef Weingarten.
Pamela has long been associated with promoting young composers and new music for harpsichord. She single-handedly curated and managed projects which were unprecedented within the UK, including the Manchester contemporary music HarpsichordFests – garnering a four-star review in The Guardian – and the British Harpsichord Society International Composition Competition which culminated in the CD recording Shadow Journey (Prima Facie). She was co-producer for both Shadow Journey and Penelope Cave’s CD Panorama.
Her bicentenary commemorations in Manchester of both Charlotte and Anne Brontë, for which she commissioned new poetry and choral works, were the only major concert events to be held for the Brontë Bicentenaries in Britain. Her projects have attracted support from Arts Council England, National Lottery, the Holst and Hinrichsen Foundations, Women in Music, the Garrick Charitable Trust and the Ida Carroll Trust.
Her playing is described as having “exquisite poise” (Gramophone) and she has premiered many works for harpsichord by composers such as Graham Fitkin, Evelyn Ficarra, Gary Carpenter, Mike Vaughan and Kevin Malone. Her harpsichord duo with Jane Chapman has featured in major festivals and she has released a recording of Scarlatti Sonatas (Prima Facie).
Her writing reflects contemporary harpsichord interests through articles, recording reviews and interviews and she has also reviewed concerts for Bachtrack. Her pieces have appeared in Harpsichord & Fortepiano, The Diapason, Contemporary Music Review, the Guardian, the Brontë Society Gazette and KCWToday and she has guest-edited several issues of Sounding Board. Recent book contributions include Harpsichord Reimagined (Vision Edition) and Born by the Thames (de la Porte Publishing) on the work of composer Stephen Dodgson whose complete solo harpsichord works she edited for Cadenza Edition.
She looks forward to contributing blogs to this website.
Pamela relishes her role as teacher of both piano and harpsichord, and is pleased to have helped many young musicians to enter the music profession. She maintains a private practice, teaches piano at Lymm High School in Cheshire and offers international online tuition. She is Visiting Harpsichord Tutor at the University of Liverpool.